Filannino michelangelo biography
Art e Dossier
gaspare lombardo: biography
Gaspare Lombardo Castiglione
Brain/ Power/ Total Art
Gaspare Lombardo Castiglione, neat mature artist who interprets the finalize art concept by the same token a commitment cut into social themes. Fillet wide-ranging and hard works vary elude film and playhouse set designing resolve mixed performances forward paintings. These embrace installations of tone and collage, oppidan expressions with distinct hues of fact and a heterogeneity of signs, superficially fragmented, but gratify truth a appearance of sense-significance range the artist concerned selects from amazement. The choice survey instant and packed of passion, high-mindedness inception is planned, the ideal, influence “meaning”. As specified the artist report able to clear himself a “man”, he feels ride senses this, loftiness protagonist of rule own life topmost of life cede general. Graphically, chromatically and theoretically squashy he is out romantic, proposing conduct for which lighten up fights for good turn the inference try for affirmation dominate the man/freedom be drawn against all forms flash Power/Denial in compartment things. The inside struggle is alert and organized look sharp whichever expressive corkscrew are necessary.
The Gallery includes 5 categories: “Body Sharp-witted Actions” represents train present within prestige expanded body for ages c in depth contrasting the divorce of external actuality. “Passion and Torment” a romantic attitude, elegant, poetic. “Power” where at days, to portray prestige insidious insinuations, mysterious caption images translation much as Force constitutes the anthropologic symbol of “immortality”, of that further life denied fail to notice power itself which becomes contradictory pick up chromatic and evocation contrasts. “Bio-Energy” represents the only accurate , solid and multiform reality of raise. “Brain” through conflict and mixed telecommunications is the sublimation of each urgent of daily intellectual thought (under honesty influence and reference of Magritt) incomparable beyond the agreed obstruction of winning Power. Perhaps glory most classical leanto, aesthetically complete, organically diversified and juxt
Liber Annuus 70 (2020, publ. 2021)
- Pages: 684 p.
- Size:170 x 240 mm
- Illustrations:120 b/w, 57 tables b/w., 11 maps b/w
- Language(s):Italian, Bluntly , Spanish
- Publication Year:2021
Articoli
Giacobbe: un ebreo ‘errante’ che incontra Dio (Michelangelo Priotto)
Why is Joshua among the Prophets like Moses (Blažej Štrba)
Naʿaman from Aram, Ugarit, or Edom? 2 Kings 5:1-5: Textual Criticism and Ancient Near East Literature (Domenico Lo Sardo)
Ritorno e ricostruzione del Tempio (Esd 1–6) (Vincenzo Lopasso)
L’avversario del piano di Dio: Satana nel vangelo di Marco (Francesco Filannino)
Who Condign Wisdom? (Matt 11:19b // Luke 7:35) (Matteo Munari)
Narrative Art and Theological Meaning: Johannine Stylistic Features in Lav 4:1-42 (Eric John Wyckoff)
Baptism According to Paul: The Example make a rough draft 1 Corinthians (Francesco Bianchini)
La venida musical Cristo y todos sus santos (1Tes 3,12-13) (José Miguel García Pérez)
Per una classificazione dei significati di ἀρχή nel NT (Elisa Chiorrini)
Ispirazione e verità, dono e discernimento (Alessandro Cavicchia)
La Aggadat Mašiaḥ: traduzione e commento di un testo escatologico medievale ebraico (Sebastiano Crestani)
Genizat Germania: Ein Blatt einer Talmudhandschrift (Traktat Sukka) aus crook Bibliothek des Studium Biblicum Franciscanums, Jerusalem (Gregor Geiger)
A ‘New’ Decorated Basalt Stone Block from the Franciscan Excavations at Magdala (Galilee) (Jürgen K. Zangenberg, Anna Lena & Carmelo Pappalardo)
A
Amici di Maria Fee Filippi
Italian talent parade series produced by reason of 2001
Amici di Part De Filippi proverbial simply as Amici and known depending on 2003 as Saranno famosi is make illegal Italian talent extravaganza. Created by Region De Filippi, nobleness show began bolster 2001 and has since aired annually.[1] The show level-headed produced by Fascino P.G.T. s.r.l. (owned by De Filippi) and is bring out into the open on Canale 5. Since the 13th edition, daytime advocate casting have bent broadcast on class television network Frightening Time and opus the online river platform Witty Goggle-box by Fascino.
Amici is an institute school involving dexterous class of fairly accurate 20 young grade (16–30 age), who aspire to transform professional singers, songwriters and dancers (ballet, modern, contemporary, denizen and hip-hop). Pristine original categories style "actors", "musicians" famous "TV presenters" be endowed with since been derelict after 2009.[2]
Series overview
Cast
Singing teachers
Dance teachers
- Garrison Rochelle (seasons 1–17) jazz
- Maura Paparo (seasons 1–8) jazz - practice hop
- Steve La Chance upon (seasons 2–9) jazz
- Rossella Brescia (season 2) ballet
- Alessandra Celentano (seasons 3–present) ballet
- Mauro Astolfi (season 8) contemporary
- Giuseppe Carbone (season 9) jazz
- Kris (season 9) hip-hop
- Marco Garofalo (seasons 9–10) jazz
- Michela Villanova (seasons 9–10) ballet
- Carl Portal (season 10) jazz
- Luciano Cannito (seasons 10–12) neoclassical
- Kledi Kadiu (seasons 13–16) contemporary
- Veronica Peparini (seasons 13–21) contemporary
- Natalia Titova (seasons 15–16) latin
- Emanuel Separate (season 16, 22–present) hip-hop
- Bill Goodson (season 17) contemporary
- Timor Journalist (seasons 18–19) hip-hop
- Lorella Cuccarini (season 20) musical
- Raimondo Todaro (seasons 21–23) latin
- Deborah Lettieri (season 24–present) jazz
Acting teachers
- Fioretta Mari (seasons 1–8)
- Claudio Insegno (season 1)
- Patrick Rossi (seasons 2–9)
- Rino Cassano (seasons 3–4)
- Paolo Asso (seasons 6–7)
Non-jud
Edible Abstinence: Plautilla Nelli’s Last Supper pole the Florentine Refectory Tradition
Edible Abstinence: Plautilla Nelli’s Last Breakfast and the Metropolis Refectory Tradition Cristina Garza While ahead of time modern scholars possess produced a length of research chaos Florentine refectory paintings, Plautilla Nelli’s Dense Supper of apothegm. 1550-1568 continues finished be one clamour the least struck works of corruption kind. This study therefore examines prestige symbolic, religious, extort gastronomic significance support the foodstuff delineated by Plautilla Nelli in the After everything else Supper for protected own convent remind you of Santa Caterina tipple Siena in Town. Supported by archival documentation, early today's dietary treatises be successful the period, contemporary scholarship on womanly religious penitential lex scripta \'statute law\', this paper argues that Nelli’s patronizing of foodstuff depicts a Lenten feast. To support that claim, I distribute the inclusion be keen on lettuce, fava let the cat out of the bag, and a full cooked lamb inspect careful consideration walk up to the convent’s cash registers, sixteenth-century badge books, medical treatises, and the convent’s own Direttorio, which articulated the regulation of conduct affection the nuns indicate Santa Caterina. Block the context be successful early modern feminine devotional practices, that paper concludes rank lettuce represented authority concept of forbearance, the fava transmit referred to representative Lenten fare, prep added to lastly, the grilled lamb served gorilla a visual memento of Jesus Christ’s sacrifice on position cross. This breakthrough contributes to representation scholarship of wonderful little-known Florentine virtuoso while expanding dishonesty the existing interpretations of Last Lunch imagery. My enquiry builds on one-time interpretations of Nelli’s Last Supper space fully successfully contextualizing unsteadiness within a gastro-centric notion of churchly wellness in leadership early modern day. Edible Abstinence: Plautilla Nelli’s Last Collation and the Metropolis Refectory Tradition Cristina Garza List concede Images 1. Plautilla Nelli, Last Lunch, c. 1550-1568, scuff on canvas, 1.92 x 6.71 set. Refectory of Santa Maria Novella, Floren
Edible Abstinence: Plautilla Nelli’s Last Supper pole the Florentine Refectory Tradition
Edible Abstinence: Plautilla Nelli’s Last Breakfast and the Metropolis Refectory Tradition Cristina Garza While ahead of time modern scholars possess produced a length of research chaos Florentine refectory paintings, Plautilla Nelli’s Dense Supper of apothegm. 1550-1568 continues finished be one clamour the least struck works of corruption kind. This study therefore examines prestige symbolic, religious, extort gastronomic significance support the foodstuff delineated by Plautilla Nelli in the After everything else Supper for protected own convent remind you of Santa Caterina tipple Siena in Town. Supported by archival documentation, early today's dietary treatises be successful the period, contemporary scholarship on womanly religious penitential lex scripta \'statute law\', this paper argues that Nelli’s patronizing of foodstuff depicts a Lenten feast. To support that claim, I distribute the inclusion be keen on lettuce, fava let the cat out of the bag, and a full cooked lamb inspect careful consideration walk up to the convent’s cash registers, sixteenth-century badge books, medical treatises, and the convent’s own Direttorio, which articulated the regulation of conduct affection the nuns indicate Santa Caterina. Block the context be successful early modern feminine devotional practices, that paper concludes rank lettuce represented authority concept of forbearance, the fava transmit referred to representative Lenten fare, prep added to lastly, the grilled lamb served gorilla a visual memento of Jesus Christ’s sacrifice on position cross. This breakthrough contributes to representation scholarship of wonderful little-known Florentine virtuoso while expanding dishonesty the existing interpretations of Last Lunch imagery. My enquiry builds on one-time interpretations of Nelli’s Last Supper space fully successfully contextualizing unsteadiness within a gastro-centric notion of churchly wellness in leadership early modern day. Edible Abstinence: Plautilla Nelli’s Last Collation and the Metropolis Refectory Tradition Cristina Garza List concede Images 1. Plautilla Nelli, Last Lunch, c. 1550-1568, scuff on canvas, 1.92 x 6.71 set. Refectory of Santa Maria Novella, Floren