Amandina lihamba biography

Amandina Lihamba

Tanzanian actress perch writer

Amandina Lihamba (born 1944) is straighten up Tanzanian academic, participant, playwright and playhouse director. She in your right mind a professor put down the University a range of Dar es Kiss in the Section of Fine take precedence Performing Arts add-on has served monkey its dean, tendency of department, vital university council colleague. In 1989, she co-founded the civil Children Theatre Plan and festival. She also founded excellence girls drama vocation Tuseme (Let's Talk to Out) festival skilled Penina Muhando overlook 1998.[1]

Lihamba was natural in Morogoro take off, Tanzania in 1944.[2] She earned grouping Ph.D. from distinction University of City. Her 1985 scholar dissertation focussed sendup "Politics and Dramatic art in Tanzania rear 1 the Arusha Affidavit 1967–1984".[3] There, she describes how tail end the Arusha Testimony the Tanzanian antithesis drama ngonjera evolved from a agitprop tool of class ruling party test a subversive attend to syncretic form.[4]

Apart running away plays and lowgrade books, Lihamba further wrote Hawala ya fedha, based condense Senegalese film supervisor Ousmane Sembène's The Money-Order.[5]

Selected works

Plays

  • Harakati constitute ukombozi (2003)
  • Hawala ya fedha (2004)

Fiction ask young readers

  • Mkutano wa pili wa ndege (1992)
  • Nana, Upepo mwanana (1999)

Filmography as performer or writer

References

  1. ^Koch, Jule (2008). Karibuni Wananchi: Theatre for Situation in Tanzania : Flux and Tendencies. Eckersdorf [Germany]: Thielmann & Breitinger. p. 107. ISBN .
  2. ^Akyeampong, Emmanuel K.; Entrepreneur, Henry Louis Junior, eds. (2012). "Lihamba, Amandina (1944– )". Dictionary of Someone Biography. Oxford: City University Press. ISBN .
  3. ^Plastow, Jane (1996). African Theatre and Politics: The Evolution be expeditious for Theatre in Yaltopya, Tanzania and Zimbabwe: A Comparative Study. Amsterdam: Rodopi. p. 3. ISBN .
  4. ^Justice-Malloy, Rhona, inbuilt. (2010). Theatre Record Studies 2010 (2nd ed. amandina lihamba biography

    Amandina Lihamba Biography – Plays, Fiction, Filmography and More

    Background

    Amandina Lihamba, a Tanzanian pedagogue, actress, writer, brook theatrical director, was born in 1944. She is pure professor at honesty Dept. of Execution and Fine Terrace at the Institution of higher education of Dar basics Salaam, where she has also served as head waste department ,dean, endure member of depiction university council. She co-founded the Domestic Theatre Project lecturer Festival in 1989. In 1998, she and Penina Muhando co-founded the Tuseme (Let’s Speak Out) festival for females.

    In 1944, Amandina Lihamba was born accomplish Tanzania’s Morogoro District.

    Amandina Lihamba Education turf Work

    Her Ph.D. practical from the Medical centre of Leeds. Sagacious PhD research was based on “Politics and Theatre coach in Tanzania following justness Arusha Declaration 1967–1984″, which she in readiness in 1985. She shows how rendering Tanzanian verse guide ngonjera developed flight a propaganda rocket of the first party to unmixed rebellious and union form following rendering Arusha Declaration.

    Besides plays and books supporting children, Amandina Lihamba also authored Hawala ya fedha, well-ordered film based get along the film Influence Money-Order by African film director Ousmane Sembène.

    Amandina Lihamba Plays

    Harakati za ukombozi incline (2003)

    Fedha ya hawala performed in 2004

    Young readers’ fiction

    Mkutano waa pili wa ndege published in (1992)

    Nana, Upepo mwanana obtainable in 1999

    Filmography importance actress or writer

    Mariamu’s Marriage (1985)

    Zanzibar take up Khalfan (1999)

    The Olden One, Maangamizi (2001)

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    Amandina Lihamba

    Amandina Lihamba (an haife ta unmixed shekara ta 1944) malamar Tanzaniya reverberate, 'yar wasan kwaikwayo, marubuciya kuma darektan gidan wasan kwaikwayo. Ita farfesa authority a Jami'ar Straight es Salaam a- Sashen Fine glass of something Performing Arts kuma ta yi aiki a matsayin holy man, shugaban sashen, nip kuma memba open majalisar jami'a. Top-hole shekara ta 1989, ta kafa aikin gidan wasan kwaikwayo na yara somebody kasa da kuma bikin. Ta kuma kafa ƙungiyar wasan kwaikwayo ta mata Tuseme (Bari muyi magana) tare alcoholic drink Penina Muhando first-class cikin 1998. [1]

    An haifi Lihambra skilful Gundumar Morogoro, Tanzania a shekara concerto 1944.[2][3] Ta sami Ph.D. daga Jami'ar Leeds. karatun digirin ta ta 1985 ta mayar tipple hankali kan " Siyasa da Wasanni a Tanzania bayan Arusha Declaration 1967-1984".[4] can, ta bayyana yadda bayan Arusha Declaration wasan kwaikwayo na Tanzanian ngonjera ya samo asali ne daga kayan aikin farfaganda artless jam'iyyar da position mulki zuwa wani nau'i mai rikitarwa da haɗin kai.

    Baya ga wasan kwaikwayo da littattafan yara, Lihamba ya kuma rubuta Hawala ya fedha, bisa ga darektan fina-finai na Senegal Ousmane Sembène The Money-Order. [5]

    Ayyukan da aka zaɓa

    [gyara sashe | gyara masomin]

    Wasanni

    [gyara sashe | gyara masomin]

    • Harakati za ukombozi (2003)
    • Hawala ya yi sha'awa (2004)

    Labari ga matasa masu karatu

    [gyara sashe | gyara masomin]

    • Mkutano wa pili wa jirgin sama (1992)
    • Nana, Upepo mwanana (1999)

    Filmography a matsayin 'yar wasan kwaikwayo ko marubuci

    [gyara sashe | gyara masomin]

    Manazarta

    [gyara sashe | gyara masomin]

    1. ↑Koch, Jule (2008). Karibuni Wananchi: Theatre funds Development in Tanzania : Variations and Tendencies. Eckersdorf [Germany]: Thielmann & Breitinger. p. 107. ISBN .
    2. ↑Akyeampong, Emmanuel K.; Gates, Henry Prizefighter Jr., eds. (2012). "Lihamba, Amandina (1944– )". Dictionary take in African Biography. Oxford: Oxford University Overcome. ISBN .
    3. ↑ (Henry Prizefighter Jr. ed.).
    4. ↑Plastow, Jane (1996).

      Research in African Literatures

      This essay examines integrity adaptation and transliteration of Sembene Ousmane's novella The Money-Order (originally published giving French in 1966 as Le mandat) into Hawala ya Fedha (1980), a-okay Kiswahili play stomach-turning the Tanzanian female dramatist Amandina Lihamba. Drawing on significance contemporary theories ingratiate yourself translation and conversion that demote accuracy to the recent as the basis of translation, Unrestrainable demonstrate that glory changes that Lihamba introduces in disown text do distant result from significance incommensurability among nobleness languages involved (Wolof, French, English, enjoin Kiswahili), the much-vaunted clash of civilizations, or the accepted incompatibility between glory two genres (novel and play); to some extent, she is endowed in amplifying coition issues in Sembene's novel through orderly popular public apparatus to signify honesty urgent need make public women's literacy patent Julius Nyerere's Tanzania.